Working alongside stage designer Es Devlin, we transformed a massive rotating monolith into a reactive, living sculpture that pulsed, burned, and moved in tandem with the performance.

It served as active architecture—rotating, splitting apart, and erupting in digital flame through projected imagery that functioned as a dynamic extension of the artist.

We crafted nearly three hours of synchronized visuals, fusing live action, animation, and VFX into a singular cinematic language that spanned the entire global tour.

When the tour premiered, sound, light, and movement converged in perfect unity, creating a visceral environment that felt both monumental and intimate.

The monolith became a reactive sculpture—one that lived and breathed with the choreography, setting a new standard for what a stadium-level visual experience could achieve.

This marked a major collaboration between Es Devlin, Ben Conrad, and Pierre Nobile, focusing on the intersection of physical stage design and digital world-building.

The final result was a high-octane visual journey that captured the cultural weight of the performance, delivering a powerful, unflinching thesis on modern tour production.